The Programme for Screen Acting is a year-long full time course dedicated specifically to screen acting. Like the Actors Studio in New York, the Programme entry is audition based with a view to creating the strongest group of actors possible.
Previous tutors and guests at The Programme have included actors such as Fiona Shaw, Tim Roth, Cillian Murphy, Danny DeVito, Stephen Tobolowsky, Saoirse Ronan, Jack Reynor, Ciaran Hinds, Richard Dreyfuss, Domhnall Gleeson, Stephen Rea, Richard E. Grant, directors Jim Sheridan, Juanita Wilson, John Carney, Kirsten Sheridan, Lance Daly, Ian Fitzgibbon, Cathy Brady, Tom Hall, Rebecca Daly, Ian Power, Damien O’Donnell, Dearbhla Walsh, and Casting Directors Ros Hubbard, Leo Davis, Margery Simkin, Louise Kiely, Maureen Hughes, Amy Rowan, Nancy Bishop, Deborah Aquila, Tusse Lande, Carla Stronge and many more.
Overseeing the Programme’s unique philosophy, technique and method is Acting Coach, Voice Coach and Alexander Technique teacher Gerry Grennell whose clients have included Johnny Depp, Bruce Willis, Heath Ledger, Tom Cruise, Natalie Portman, Meryl Streep, Anne Hathaway, Oscar Isaac, Orlando Bloom, Marlon Brando, Sean Penn, Michael Gambon, and Heather Graham.
Sessions with experienced professionals, alongside regular film screenings, access to shooting and screening facilities, combine to form a comprehensive syllabus of study in all areas of performance for camera and development as a screen actor.
Some of the many modules contained within the course include:
VOICE Voice control and manipulation is an essential tool in the actors Toolbox. The understanding of how the voice works, what affects it and how we can manage it are necessary to allow the actor to emote with shade, tone, colour and emotion.
DIALECT We train our actors to succeed internationally and that means being able to not just perform in different accents, but to understand the tools of how to approach learning accents.
CHARACTER Character is a muscle that comes from within. This detailed module explores not just the external and internal characteristics of character, but how to create a character from scratch including backstory, psychology, social conditioning, all culminating in filmed scenes written specifically for these characters.
COMBAT With shows like Games of Thrones, Vikings, Penny Dreadful, Ripper Street and countless other productions featuring combat work, there has never been more demand for actors with combat training. These sessions are crucial for those students looking for a fully rounded education in screen acting.
ALEXANDER TECHNIQUE Many actors hold far too much tension while performing. Alexander Technique can help actors to become more aware of balance, posture and co-ordination. Being aware of tension and strain is the first important step in being able to let go of the nervousness that can interfere with performance. The technique can engender a sense of calm that can help an actor to act with greater spontaneity and freedom of expression.
SELF TAPING Due to the ever-changing developments in the world of casting, Self Taping is fast becoming an essential tool in the actor’s canon. The aim of this module is to develop the actor’s skills in mastering this technique. Students will be required to do a lot of self taping throughout the year and these performances are then critiqued in Bow Street’s Cinema.
IMPROVISATION Improvisation is one of the most important disciplines for screen actors. It gives the actor confidence, encourages the actor to take risks, be open to possibilities, and trust their instincts.
AUDITION TECHNIQUE This module looks at various techniques that will help demystify the audition process including what a Casting Director is really looking for, overcoming nerves, and the do’s and don’ts of auditioning. Top Irish and International casting directors come in to work with the students and critique their work.
FILMMAKING Bow Street believes in empowering students with the tools of filmmaking so they are not reliant on others to create work for them. These insights not only give greater understanding into how the process impacts on the actors performances but also encourages them to create their own work. Many of our students are now winning filmmaking awards at festivals worldwide.
CAMERA CLINIC Unique to Bow Street, we operate a Camera Clinic where each week students sign up for private 1 on 1 time with a camera in our casting studio. Students are encouraged to do whatever they like to help build a clearer understanding of their relationship with the camera. The students can also choose to be left alone with the camera and their footage is viewed privately or with critique afterwards.
MOVEMENT Being aware of how the actor/character moves is another important tool in the actors Toolbox.
BLOCKING Many guest Directors visit Bow Street to work with the students sharing their expertise built up over the years of working at the highest levels of the industry. Here they learn what it is the Director needs from an actor, not just in performance but all the technical aspects of movement, blocking and choreography with the camera.
SCRIPT ANALYSIS Exploration and understanding of text is of paramount importance. This module looks at what the writer’s intent is, subtext, tone, theme and story beats. Rhythm also plays an important part of this module.
INTIMACY Bow Street prides itself on being one of the first drama schools in the world to prepare its graduates to film Intimate Scenes if required. We demystify the process, giving the actors tools to adequately prepare both creatively and professionally.
OWNERSHIP The method of ownership which is unique to Bow Street forms the foundation of all training on the Programme. It is a completely immersive practice and discipline that enhances performance and liberates the actor to be truthful and present.
The course culminates with a showcase of filmed scenes performed by the students and screened to the cream of the Irish Film & TV industry.
The success of recent graduates from The Programme is unparalleled and marks Bow Street out as the most in demand casting resource for Casting Directors. Employment of our graduates is our ultimate aim, and the hands-on practical nature of all our training prepares students for the real world of Film and TV.
COVID-19 UPDATE – In light of the changes that have enveloped our industry due to Covid-19, Bow Street Academy has revised its training methods and practices to reflect this new reality.
In the event of a return to lockdown or a new pandemic, there will be strict health guidelines when working on the premises that may include and are not limited to social distancing, temperature taking, mask wearing and regular hand washing breaks. As this is a regularly evolving situation we will either relax or enhance our guidelines depending on advice from the Government and HSE.
To apply, applications can be sent via email and should include the following:
Email your Application to: email@example.com with PROGRAMME in the subject line. You will be provided with details on how to pay your application fee of €40 by bank transfer.
Entrance to the Full Time Programme is via a 2 stage process.
STAGE 1: SELF-TAPE AUDITION
Applicants should submit a Self-tape. The scene should be a duologue from a Film or TV series. Scene should be around 2 – 3 mins long. Applications will be assessed on performance and not production value, but it is important that we can see and hear you clearly. Check out these guidelines on Self Taping in your own voice/accent.
It is probably best to avoid doing scenes from the following films as they have been done to death. IN BRUGES, GIRL INTERRUPTED, LA LA LAND, BEAUTIFUL BOY, FLEABAG, CALVARY, LADYBIRD, LITTLE WOMEN, GIRLS, HANDSOME DEVIL.
STAGE 2: IN PERSON AUDITION
If an applicant has been successful in their self tape audition they will be invited for an in person audition. Similar to the self tape round, the applicant should prepare a new duologue from a Film or TV series. Scene should be around 2 – 3 mins long.
INTERNATIONAL STUDENTS applying from outside the EU will need to make their own visa arrangements and check for eligibility.
COURSE FEES: €6,950 payable in instalments.
NEXT COURSE DATES: September 2023 – May 2024
APPLICATION DEADLINE: May 12th 2023
Yes. The fee is to be paid in 4 installments over the course of the academic year. Exact payment dates TBC. A deposit of €750 is to be paid after offers go out to secure your place.
No. As Bow Street is not yet accredited, there are no student grants or funding available right now. Student loands might be sought from Bank or Credit Union.
The set schedule is Monday-Thursday 10am-5pm. There are also film screenings 3 days a week from 5pm – 7pm. Fridays are set aside for prep work and completing assignments. Timetable is subject to change due to special film screenings/guest speakers/and shooting modules.
Yes. Bow Street is one of the few training schools that understands there is no substitute for practical experience. You will always learn more on a Film or TV set than in a classroom and students often get cast in productions that come through Bow Street.
Previous experience is not a requirement, as entry is audition based.
If you are unavailable to audition we will accept Self-Tapes instead but it is always better to present in person if possible.